I am very on the fence about whether or not Mangold’s newest biopic A Complete Unknown (2024) is a political movie or not. Let me explain why.
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I thought I’d throw my hat in the ring to write about the importance of Barry Keoghan’s graveyard performance... He didn't have to do that. Except that he did.
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Oslo Short Film Festival offered more than a dozen colourfully different stories, varying both in origin country, language, and mood. PRESSET. writers Matilda Forss and Arina Kosareva attended and explored the journey of the nineteen carefully-curated short films.
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Cate Blanchett plays an orchestra conductor called Lydia Tár in Todd Field’s newest movie ‘Tár’. Lydia’s fame and power, in a bone chilling way, starts to unravel and unhinge. She is an absolute psychopath – so why can’t I stop thinking about her?
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Peter Weir’s ‘Truman Show’, Samuel Becketts play ‘Waiting for Godot’, and Daniel Scheinert and Dan Kwan’s ‘Everything Everywhere All At Once’ all ask, and in my opinion, answer that true existentialist mystery – what makes life worth living?
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